翻訳と辞書
Words near each other
・ The Poets and Poetry of America
・ The poets of Elan
・ The Poets of the Tomb
・ The Poets' Corner
・ The Poets' Encyclopedia
・ The Pogostick
・ The Pogues
・ The Point
・ The Point (film)
・ The point (ice hockey)
・ The Point (magazine)
・ The Point (radio network)
・ The Pleasure of His Company
・ The Pleasure of My Company
・ The Pleasure of Penetration
The Pleasure of the Text
・ The Pleasure of Your Company
・ The Pleasure Pit
・ The Pleasure Principle (film)
・ The Pleasure Principle (Gary Numan album)
・ The Pleasure Principle (song)
・ The Pleasure Principle Live
・ The Pleasure Remains
・ The Pleasure Seekers
・ The Pleasure Seekers (1920 film)
・ The Pleasure Seekers (band)
・ The Pleasure Seekers (song)
・ The Pleasure to Remain So Heartless
・ The Pleasures of Electricity
・ The Pleasures of Japanese Literature


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

The Pleasure of the Text : ウィキペディア英語版
The Pleasure of the Text

''The Pleasure of the Text'' ((フランス語:Le Plaisir du Texte)) is a 1973 book by Roland Barthes.
==Summary==
''The Pleasure of the Text'' was written in French and later translated into English. Barthes sets out some of his ideas about literary theory. In the book, Barthes divides the effects of texts into two: ''plaisir'' (translated as "pleasure") and ''jouissance''. ''Jouissance'' is translated as "bliss", but the French word also carries the meaning of "orgasm".
The distinction corresponds to a further distinction Barthes makes between ''texte lisible'' and ''texte scriptible'', translated respectively as "readerly" and "writerly" texts (a more literal translation would be "readable" and "writable" texts). ''Scriptible'' is a neologism in French. The pleasure of the text corresponds to the readerly text, which does not challenge the reader's position as a subject. The writerly text provides bliss, which explodes literary codes and allows the reader to break out of his or her subject position.
The "readerly" and the "writerly" texts were identified and explained in Barthes's ''S/Z''. Barthes argues that "writerly" texts are more important than "readerly" ones because he sees the text's unity as forever being re-established by its composition, the codes that form and constantly slide around within the text. The reader of a readerly text is largely passive, whereas the person who engages with a writerly text has to make an active effort, and even to re-enact the actions of the writer himself. The different codes (hermeneutic, action, symbolic, semic, and historical), that Barthes defines in ''S/Z'' inform and reinforce one another, making for an open text that is indeterminant precisely because it can always be written anew.
As such, although one may experience pleasure in the readerly text, it is when one sees the text from the writerly point of view that the experience is blissful.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「The Pleasure of the Text」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.